Set to Sea by Drew Weing

Drew Weing - author. Set to sea. Seattle, Washington: Fantagraphics, 2010. ISBN: 978-1-60699-368-2

Author website: http://www.drewweing.com/

Media: pen and ink

Genre: graphic novel, adventure, comic

Annotation: A portly potbellied landlubbing poet, who finds himself in a slump while writing about life at sea, gets shanghaied aboard a ship and gets an inside view on the trials and tribulations of sailor life.

My thoughts:

This is Drew Weing’s debut 2010 graphic novel, though the crosshatched full-page black and white panels could have been published in bygone eras. Sailors, pirates, and the high seas set this comic adventure book. The style and characters are very reminiscent of the classic Popeye comic strip. Only these characters definitely cast in Popeye-like story. These are characters that do not get lots of spinach. They don’t swim with mermaids (unless tossed to sea by pirates). And, these sailors don’t have time to tan on their backs. (Popeye song) These sailors toast “long hours, short rations, and not even a stone to mark your grave!” Though the giant hero is able to steal away brief moments for his poetry and is able to find wordlessly communicate the solace he finds as the sunrises in the artic.

There is very little dialogue throughout the book. So, the images provide the narrative. And, they do so very effectively. The transition of our fat hero poet starts from when he is depicted more as a vagrant poet wandering local pubs (and getting the boot) to an honorable sailor who protects his mates and publishes legitimate stories about life at sea. In the end, the patched up barely held together coat is replaced and his is adorned in the garb of a fine gentlemen. He even has a nice eye patch to cover his eyeball-less eye that was shot out by a pirate. He can sit in the “Angry Kitten” (the same bar where he was given the boot) write leisurely while snoozing and is waited upon by said owner/ boot possessor.

It’s nice to see a protagonist grow not only materially but also in maturity. This is also depicted through the tribulations at sea when the whalelike character befriends his fellow crewmen, fights pirates, muscles the steer during a storm, has a moby dick moment, gives his mates advice, works the directional cross, saves a mate during a storm, etc. He no longer sulks around making up stories. He lived it.

The visual storytelling really stands out for me. This is not the common current style. It is unique. Every page holds a carefully crafted illustration that probably can be discussed in terms of historical cartoon/ illustration devices.

Literary devices:

Use of onomatopoeia: tok, whuf, oooaaa,urk,whok, krak, urrgh, zzz

Use of rhyme:

“If I even survive the trip

I set to sea on a clipper ship

But work and woe is what I found

A thousand leagues till I touch ground

I survive this –something- trip / endless? trackless?”

“All hands on deck’ and ‘mainsail-haul’

The timbers groan, the sailors curse

The only fate that would be worse…”

Reading level/ Interest Age

Grades 8-12 (Warning: The poet graphically gets his eye shot out and encounters with pirates include violence, retaliation, and lots of black and white blood. This makes the recommended age group understandable.)

Reviews and Awards

Booklist starred review

“With hints of The Odyssey, Moby Dick, Popeye and Treasure Island, Weing has created a modern classic in the pirate genre.” (School Library Journal )

“Set to Sea's one-panel-per-page layout lets Weing's visual storytelling shine, but only if you resist the urge to tear through the pages quickly. Go too fast, and you'll miss the touching, wordless way Weing communicates the death of a supporting character. Or, worse, you'll skim over a gorgeous arctic sunset clearly inspired by the Gustave Dore engravings for Coleridge's Rime of the Ancient Mariner.” Glen Weldon, NPR

Anya’s Ghost by Vera Brosgol

 

Anya’s Ghost.

Vera Brosgol – author and illustrator. (2011). Publisher: First Second(:01): New York. Hardcover. ISBN: 978-1596437135.

Author website: http://verabee.com/index.html

Media: Watercolor, pen and ink.

Genre: Graphic novel, multicultural, horror

Annotation

A lonely teenage girl struggling with everyday problems encounters and befriends a ghost. Only there is a problem, what happens if this ghost is less Casper and more poltergeist?

Plot Summary

Anya, an angst ridden teenage girl who is an imigrant from Russia going to a Catholic school in suburban Massachusetts, wants to fit into mainstream teenage culture and wants to be popular. She tries to assimilate and blend in with her peers. For example, she went to speech therapy to lose her accent, dresses like the other girls, she eats American foods, and she rejects the Russian food (Cblphnkh) that her mother cooks because it is Russian and weight self-consciousness.

Anya is leaving high school one day when she trips and falls down a well in a park.  Terrified that she is doomed to perish in the well, Anya discovers that she is not alone. There is a ghost girl and skeleton from 1918 with her. When she is finally rescued, she discovers that the ghost had an ulterior motive. The ghost, Emily, has followed her home. At first, the ghost is helpful. The ghost assists with course work, gives her intel about a boy she has a crush on, boosts her confidence, provides style advice, and so on. The ghost seems like a supportive friend that teenagers often want.

But, as the story progresses, Anya starts to realize that the ghost’s story isn’t quite right. As the ghost becomes more co-dependent, demanding, erratic, and scheming Anya begins to suspect that the ghost is leaving out information and decides to investigate the said story. She discovers that there is more to the ghost and the story and that her family might be in danger.

My thoughts

This is a good young adult graphic novel for teens and is popular for many reasons. Social anxiety, body image, friendship, health, peer pressure, family difficulties, and assimilation are issues that are effectively addressed in this graphic novel. 

Anya, as a character, is so relatable for many teenage girls. She is a combination of social outcast rebellion and intelligent but insecure wallflower. The character progresses through the story and in the end she realizes that the popular kids have issues below the surface. Anya ultimately becomes more secure with her own being and confident that she doesn’t have to fit in with the popular kids.

The illustrations are monochromatic done in black and white with a touch of purple toned grey. The lines are thick and smoothly in a typical graphic style. Anya is drawn as a curvy girl with dark hair and freckles.

A couple of red flags: One personal concern that I have is that the character does smoke cigarettes (and cut classes) through the first part of the book. This characterization of the rebel smoker is cliché and perhaps causes teenage girls to smoke. The characterization adds to the problem even though the character confronts the habit in the final pages of the book. In addition, there is underage drinking at the party that changes her views about popularity. Overall, the spooky supernatural themes are mild and there is no overt violence.

Curricular connections

Popular for teenage girls.

Literary Devices:
Use of onomatopoeia: beep! Beeeep!, Clap!, pant pant, gasp, tweet tweet, briiiing, whip, duck, rrrring, sizzle, krak, thump, tug, and THUD.

Use of Simile: “You may look normal like everyone else, but you're not. Not on the inside.”

Reading level/ Interest Age

 Younger high school.

Reviews and Awards

Cybils awards 2011 in the Graphic Novel category

Booklist starred review

Kirkus starred review

School Library Journal starred review

“Anya’s Ghost is a masterpiece, of YA literature and of comics.”—Neil Gaiman

"Remarkable. . . . with an attitude and aptitude reminiscent of Marjane Satrapi (Persepolis) who likewise conveyed the particulars of an immigrant adolescence, Brosgol has created a smart, funny and compassionate portrait of someone who, for all her sulking and sneering, is the kind of daughter many parents would like to have. And the kind of girl many of us maybe once were.” -- The New York Times

Cinderella Skeleton by Robert Souci and David Catrow